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2½ Months On & Off Road
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Creating Large Scale Painting and The 7 “P”s
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Extra Mile
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Golden Mean
Honing Your Craft: Brush
Honing Your Craft: Value
Integrity
It’s all in the Wrist
Keeping Energy in Large
MT. Whitney NAT'L Park
More about Edges & Comp
New Year, New Beginnings
Outdoor Painter's Library
Painting What You See
Portfolio Review -Tips
Practice
Seeing Clean Color
Taking Chances
The Creative Process
The Idea
Travel Light-Flying High
Travel Light-Road Trips
Values
Watercolor
What is Art?
What To Ask Of A Gallery
Why Paint Small?

Demos
Armand Cabrera Demo

Charles Muench Demo


How to Paint Rushing Water


Painting Seascapes

Making Your Own Panels

Photographing Your Work

Sierra Ram Demo


Tractor Painting Demo


Vernal Falls Demo


Observation of Nature

Camera vs.sketching


Creating a Powerful Moment


Discovering An Extraordinary Life

Joshua Tree Nat’l Park
Light & Shadow
Nevada Falls
Painting Nostalgia
Spring Arrives Under...
Point Lobos
The Essential Element
   
   
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  Book Notes- Nov.2006
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Armand Cabrera Demo

My concept is to paint Sentinel Rocks above the river in Yosemite Valley.
I like the cool color of the rocks standing out against the warm tones of the foreground.

Demo Step One

Start with the horizon line. A horizon line establishes eye level of the viewer.
It helps to create a sense of scale. All other placement lines will relate to this line

Demo Step Two

At this point, I complete the rest of the drawing.
I check it for accuracy, making any needed corrections.
I do not proceed until I am satisfied with my composition.
I establish the center of focus to be left of center.

Demo Step Three

Working back to front, I mass in flat, poster-like shapes,
creating my value plan and color scheme.
I use as big a brush as possible to keep from applying unnecessary detail at this stage.

Demo Step Four

I am careful to compare the color and values, making sure all elements in the scene are accurate. From start to finish, this part of the process takes roughly twenty minutes.

Demo Step Five

I now model the forms, preserving my original shapes and composition.
I work from large to small shapes.
To add interest to the piece, I look for
temperature changes within the larger shapes.
I also begin to emphasize and de-emphasize elements
by modifying edges and varying paint thickness.

Demo Step Six

Finally, I add accents and adjust edges to arrive at the completed painting.
Total painting time is approximately two hours.
By planning ahead and adhering to a concept, I avoid many pitfalls.
I retain a sense of light and spontaneity that is often difficult to capture in the studio.
This is the essence of Alla Prima painting.

 




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