Plein and simple
Joseph Paquet's article has been reprinted courtesy of the Villager Newspaper in the St. Paul / Minneapolis area.The Villager is the oldest and largest neighborhood newspaper in the Twin Cities.Our thanks to John Wadell, Editor, Villager Newspaper.
Highland Park painter Joe Paquet sits at his desk beside a shaft of midmorning sunshine streaming through the window of his Prince Street
studio in St. Paul’s Lowertown. His landscapes
hang from the studio’s south wall and
the sunlight seems to make them glow. A
more studied observation, however, reveals
that the light is emanating from the paintings
themselves, not the window.
A taconite plant reveals the squalid beauty
of industrial decay as seen on a winter
afternoon. A colorful row of dilapidated
houses is offset by the steely skyline of
downtown New Orleans. The viridescent
leaves of a maple tree frame the front of a
brick house and garage in Lowertown.
These are among
the images captured
in oil by Paquet.
A visitor may be
reminded of the
paintings of Hopper,
Winslow or Corot.
But though Paquet’s
subject matter, style
and craft reveal
those influences, his
rendering of light is
“The light of each
day should differ
from the light on any other day,” Paquet said.
“A good landscape painter sees the light of
each day as a gift.”
Paquet enjoys a sterling reputation among
landscape painters, gallery owners, collectors
and former students. He has won numerous
awards in exhibitions throughout the United
States. Fans of his work speak of his craft and
discipline, but most important, his ability to
“Joe has the vision,” said Julie Bangert, a
curator at the Trees Gallery in Cape Cod,
Massachusetts. “Joe often chooses scenes that
another artist might find unremarkable, but
he makes the viewer see the beauty in it.”
Paquet was born to a working-class family
in Paterson, New Jersey. “My father was an
artist,” he said. “He painted and sculpted.
He’s really the one who gave me my start. My
father never really had the financial means
to pursue his creativity. He worked for the
railroad. Both of my parents encouraged me
in my drawing and painting.”
Paquet attended the School of Visual
Arts in New York City. After graduation, he
apprenticed with painter John Osborne, who
had the ability to reproduce landscapes from
memory. “I studied with John for four years,”
he said. “John was an incredible teacher. I
wouldn’t be where I am today without his
guidance.”
Paquet then moved back to New Jersey,
into what he called a “railroad apartment,”
and did nothing but paint for an entire
year. “I felt I had the tools to become an
artist, but I knew I had a long road on the
way to becoming one,” he said. “That year I
spent painting was one of the best and most
productive times in my life.”
After his year of painting, Paquet married
and became a father. Like anyone with family responsibilities, he soon yielded to
the necessities of
earning a living. Paquet became an
art director and
illustrator in order
to earn a regular
paycheck.
“Despite all
the work and
long hours, I still
painted,” he said.
“Painting was a passion I couldn’t neglect. I painted whenever I could, mostlyduring the evenings and on weekends.”
In 1997 he accepted a position teaching
landscape and studio painting at the
Minnesota River School of Fine Art in
Burnsville. The decision led to a watershed
period of his life. His wife left him and
Paquet’s move to Minnesota wasn’t at first a
happy one. “I loved teaching at Minnesota
River,” he said, “but that period was also a
very tough time for me.”
Fortunately, Paquet’s luck eventually began
to change. He met his present wife, Natalie,
who worked in the school’s office. He soon
opened a studio in downtown St. Paul with
portrait painter Jeffrey Hurinenko. He began
to teach painting classes on his own.
“Meeting and marrying Natalie was the
greatest thing that’s happened to me,” he said.
“She’s the one who makes it possible for me
to do my work. And she’s always encouraging
me. Whenever I feel insecure about my work, Natalie will say, ‘Just paint your picture, Joe.
’”
And paint his picture he does. Art collector
Roy Rose, who lives on Catalina Island,
began buying Paquet’s paintings after seeing
his work at the annual conference of the
Society of Plein-Air Painters.
“Joe’s work has more detail than that
of an impressionist-style artist,” Roy said.
“He draws beautifully and has command
of his craft. When Joe comes here to paint,
he captures places on the island few artists
would paint. Joe finds his beauty and his
sense of color makes him a standout among
American landscape painters.”
Painting sales and gallery representation
followed in the wake of Paquet’s success on
Catalina. He has returned to the island on
numerous occasions to paint, exhibit and
teach workshops. He has exhibited and
taught in California and Massachusetts.
He has even led a workshop for landscape
painters in Florence, Italy.
Paquet has now lived in Highland Park
for over a decade and has an abiding passion
for painting the environs of St. Paul. Wintry
backyard scenes from the city’s East Side.
Piles of scrapped, rusted steel outside of the
train yard near Newport. Barges lodged in
the ice on the Mississippi River. Christmas
lanterns hanging from branches over a
backyard filled with rusted cars.
“It’s kind of ironic to think that I make my
living on the coasts by selling paintings of St.
Paul,” he said. “But I love living here. It’s the
perfect place to raise a family, and I don’t see
myself leaving anytime soon.”
