Percy
Gray was born in San Francisco, California. At 16 years
of age, Gray enrolled in the California School of Design
where he studied with Virgil Williams, Raymond D. Yelland
and Emil Carlsen.
After graduation, Gray took a job as a quick sketch artist
with the Morning Call, a major San Francisco newspaper.
Gray honed his drawing skills as newspaper artists were
expected to sketch on site for the paper. Gray came to
the attention of the illustrious William R. Hearst who
hired the young artist to work for his newspaper, the
New York Journal.
Gray spent 11 years with the New York Journal. While
in New York, he studied with William Merritt Chase. Gray
returned to his native California in 1906 to cover the
devastation of the 1906 earthquake for the Hearst newspapers.
Gray decided to remain in San Francisco working for the
Examiner. Gray began to turn more of his attention to
personal artwork and found a market for his watercolors
depicting Northern California scenes. The public and critics
alike responded to his realistic, yet romantic views of
nature. Gray worked mostly as a Tonalist, preferring the
muted tones of Barbizon Painting rather than the pure
color of Impressionism. However, Gray occasionally worked
in a brighter palette.
In
1923, Gray married Leone Plumley Phelps, a 35 year old
divorcee and moved to Monterey. The Gray’s bought
the historic Casa Bonifacio Adobe. For the next 16 years,
Gray painted the thriving Monterey area. During this time,
he added etching to his repertoire and produced some fine
works in that medium.
In 1939, The Grays sold their home and moved to Marin
County, just north of the Golden Gate Bridge. In 1951,
after his wife’s death, Gray moved to San Francisco
to live at the Bohemian Club. He also rented a studio
on Sutter Street near Union Square. Percy Gray died at
his easel from a heart attack in October of 1952.
Bibliography:
The
Legacy of Percy Gray
1998 The Carmel Art Association
Plein Air Painters of California
The North
Ruth Westphal
1986 Westphal Publishing