Richard
Parkes Bonington was born in Arnold, England in 1802.
His family moved to Calais, France in 1817, then moved
again to Paris. The young Bonington spent time copying
pictures in the Louvre. He met Eugene Delacroix in Paris
and the two artists became lifelong friends. At fifteen,
Bonington entered the studio of Baron Gros. Bonington
rose quickly in the ranks. His bravura painting and excellent
drawing facility garnered much praise throughout his career.
The Academic schedule of drawing from casts soon bored
Bonington and he found himself at odds with his teacher.
By 1821, the relationship reached its breaking point and
he set out on his own path of study.
Bonington preferred to paint on location and record nature
and modern life. Longing to break from the stylized stage
settings and mythic genre of most academic landscapes,
Bonington set out on a sketching tour to Normandy. He
explored painting and sketching from life, focusing on
coastal scenes. In 1822, he illustrated travel books for
Parisian publishers. The success of these illustrations
led to his demand with publishers, dealers and collectors.
During this time, Bonington studied the art of lithography
and received financial backing to publish his own set
of lithographic views of Normandy.
Bonington
received a Gold Medal for his entry in the Salon of 1824.
The Salon was a turning point for landscape art. Young
painters sought to overthrow the restrictions on subject
and finish set by the Academics. Leading the attack were
the English painters.
Although Bonington’s career spanned less than ten
years, his influence on French painting was profound.
Bonington was skilled in watercolors and oils and also
created fine lithographs and engravings. He was the link
between the English landscape painters, Turner and Constable,
and the Barbizon School and the Impressionists.
Bonington fell ill during a sketching trip and contracted
a complication of pulmonary consumption. He died one month
before his 26th birthday.
Bibliography:
Richard Parkes Bonington ‘On the Pleasure of Painting’
Patrick Noon
1991 Yale University press