Stanhope
Forbes was born in Dublin, Ireland in 1857. When he was
eleven, Forbes began drawing at the encouragement of family
friends who took him on sketching trips. In college, Forbes
began studying under John Sparkes. Sparkes emphasized
drawing from casts and models, as opposed to copying drawings
by the masters. Forbes enrolled in the Royal Academy School
and briefly studied under Millias, Leghton and Alma Tadema.
In 1880, Forbes traveled to France, enrolling in the
studio of Leon Bonnat near Montmartre. In Bonnat’s
classes, Forbes was trained to paint from life. However,
Bonnat did not sympathize with outdoor painting that was
becoming popular with the students at the time. By 1881,
Forbes was working in Cancale with other students who
revered painting outdoors. The sale of a figure painting
to the Walker Art Gallery so inspired Forbes that he dedicated
his career to outdoor figure work.
Forbes
finished his two years of study in France and returned
home to England where he was anxious to establish himself
as an artist. He began searching for a picturesque village
to paint. He settled on Newlyn in Cornwall. Artists had
been visiting the coast of Cornwall for years. A recently
built rail stop to Penzance, only a few miles from Newlyn,
allowed artists to live in the area and still have easy
access to London and their galleries. Because of Forbes’
financial and critical success, he was considered the
leader of the Newlyn Colony.
In 1886, he became engaged to Elizabeth Armstrong---an
artist who had come to Newlyn to paint the year before.
They married in 1889.
Forbes fidelity to outdoor figure work required a Herculean
effort. He did not believe in painting nature as is compositionally
and so each painting required much planning.
One
of his most successful works, “A Fish Sale on a
Cornish Beach” is 4 feet by 5 feet, with more than
26 figures. For this painting, Forbes had to contend with
the challenges of weather and changing effects of light.
To complicate matters, models were often unreliable.
Many of Forbes paintings were finished over months, not
days, requiring the complexity equal to a movie set. To
avoid losing precious time when the weather was inclement,
Forbes painted interior scenes. Usually he was working
on at least two paintings at the same time---one outdoor
and one interior. His greatest successes came during the
1880’s and 1890’s. Forbes continued to paint
Newlyn and its citizens for the rest of his life. He died
in 1947 at the age of 90.
Bibliography:
Stanhope Forbes and the Newlyn School
Caroline Fox
1993 David and Charles Publishing
The Good and Simple Life Artist Colonies in Europe
and America
Michael Jacobs
1985 Phaidon Press