THE EXTRA MILE
By Virginia Campbell
Reprinted with permission. Southwest Art Magazine,
July 2004 issue
Arizona painter KENN BACKHAUS strives to move beyond conventional visual meaning in his landscapes and other scenes
LATE LAST AUTUMN, when catastrophic fires were tearing through canyons and throwing a pall of ash and smoke into the atmosphere over Southern California, Kenn Backhaus was working out on Catalina Island, a small gem of natural harbors off the California coast beloved by sailors and plein-air painters for over a century. The frequent changes in wind, temperature, and humidity on Catalina make for such an inspiring variety of special effects that it’s as if you were looking through an ever-turning prism held up to the sunlight over grassy hills and cold sea. On this particular morning, though, Catalina was lit with an eerie luminosity that was outside the island’s usual repertoire of beauty.
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