Outdoor Painting.com
The Monthly OutdoorPainting.com Newsletter
Volume 3, Number 3 
In This Issue
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Discovering An Extraordinary Life

By Stefan Baumann

Stefan Baumann - Heir ApparentLast year I started “Painting Boot Camp.” It was a three-day intensive workshop where I led a group of passionate students into the Sierra wilderness for extreme individualized training in the fundamentals of painting outdoors. The experience was life changing. By popular demand we are going back this June.

Painting on location allows me to be loose and spontaneous. The artwork is full of serendipitous brushstrokes and completely inspired, often I don’t have control over the outcome. I’ve always let the paint do the work. Excellent paintings created outdoors can never be duplicated. You can’t achieve perfection so give up, and have a good time instead.

When I paint outdoors I go for the big picture. My latest in the Secrets Vistas of Yosemite Series is Heir Apparent. The buck stands like a king evaluating his domain. The panorama around him is Yosemite Valley with Half Dome looming in the background. I hiked miles to get to this scene.

Read more

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Outdoorpainting.com asked our readers…
“What's the single greatest challenge you face in painting outdoors?”

Many of our reader responses to the Newsletter question were about the challenges brought about by weather. When I’ve planned and paid for a painting trip, I’m going to paint----except in the most extreme conditions. Treat painting excursions like camping in the wilderness; prepare for the worst and hope for the best.

Wind, snow, heat, cold and rain can be challenging. I recommend carrying a small paint box with a shoulder strap. Sometimes called “thumb boxes”, they allow you to work from your lap or can be hand held. With these small boxes, you can hunker down under a tree, a large rock or even sit in your car to paint. Among others, Open Box M and Artwork Essentials offer this type of small box. Check their websites on our RESOURCES PAGE for more information.

Armand Cabrera
Armand Cabrera
& Charles Muench

During cold weather, use hand warmers that are sold for fishermen and hunters. There are at least two different kinds of warmers: 1) chemical warmers that come in small disposable pouches. They activate when you shake them…and 2) permanent warmers. They burn a fuel stick or little piece of charcoal in a metal container. You can find these at Ace Hardware Stores.

Wind: Wind is the one element that can make it impossible to paint outside when it is really blowing hard. The above mentioned thumb boxes are the best solution for wind.

Rain: Obviously, don’t use water-based paints. If there is the chance of thunder storms---pack it in. If it’s not raining too hard and you still have some good lighting, stand under a tree, rock ledge, an awning or on a porch.

Remember, you don’t always have to paint outside. Sometimes it’s nice to hire a model or set up a still life and paint indoors during inclement weather. The weather will rarely be perfect, so commit to your painting---either outdoors or in studio---and paint!

Armand Cabrera

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Master Outdoor Painters

Elizabeth A. ForbesElizabeth A. Forbes
By Armand Cabrera

Elizabeth Armstrong was born in Ottawa, Canada in 1859. Her father encouraged her artistic abilities. He died of a stroke after sending Elizabeth and her mother (as chaperone) to school in England. Elizabeth returned to Canada in 1878. Elizabeth and her mother soon moved to New York where Elizabeth enrolled in the Art Students League. Elizabeth stayed at the League for three years, studying with William Merritt Chase. Chase was a strong proponent of painting from life and encouraged his students to do the same. Chase directed Elizabeth to continue her studies in Munich, where Chase had been trained. In Munich, Elizabeth confronted many difficult barriers. Being a woman and Canadian-born, she suffered much discrimination. After only five months of study, Elizabeth chose to return to Canada to escape the prejudice.
Learn more ....

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Quote of the Month

“ It becomes a duel a l’outrance between artist and model, till at last, with the conviction that inextinguishable hatred has been kindled in those childish breasts the painter…returns on his road. But the children keep no grudges; the same rows of smiling eyes watch for my coming the next day and the duel begins anew….”
Elizabeth Forbes talking about using children as models

Armand Cabrera
Armand Cabrera
Genoa Barn 8x10 o/c
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Studio Painting - Artists  Workshop

ARMAND CABRERA WORKSHOP
OUTDOOR PAINTING ESSENTIALS

Marin County, California
June 19 - 23, 2006
Beginner - Advanced
$495
15 Students Maximum

Information:
Diane Burket
(415) 776-1436
diane@armandcabrera.com
www.armandcabrera.com

Workshop - Outdoor painting classes

Sierra Workshop 2006
The workshop will take place once again at the top of the Sierra Mountains in Stanislaus and Alpine Counties. There are pictures alpine lakes; waterfalls and meadows nestled in the mountains.

June 9,10,11, 2006
Bear Valley, CA
Space is limited so register soon!

Contact Information:
Bruce Yungmeyer
831-438-4184 ext.#1
Stefan Baumann
415-606-9074
or 415-333-7070
email: Stefan Baumann
thegrandview.org



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